Datendandy Der Datendandy sammelt Information nur, um damit zu prahlen, und nicht, um sie zu übertragen. Er ist sehr gut, vielleicht ein bißchen zu gut oder sogar übertrieben gut informiert.
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(via gay-bb.org)
(via Occupy Ball Street (2012) : Free Full Gay Movies)
“This is a tale of what the protesters must endure with each other, in dealing with lawyers, and how to beat the police. So sit back and watch thrasher get thrashed with a night stick from super hung stud and newly commissioned police officer, Cliff Jensen. See newcummer Kail Adams occupy the ass of fellow newcummers, Shaggy Christian Blu and goth prince Alaric While the old law pro, Josh Bensan, does some occupying of his own.”

(via Occupy Ball Street (2012) : Free Full Gay Movies)

“This is a tale of what the protesters must endure with each other, in dealing with lawyers, and how to beat the police. So sit back and watch thrasher get thrashed with a night stick from super hung stud and newly commissioned police officer, Cliff Jensen. See newcummer Kail Adams occupy the ass of fellow newcummers, Shaggy Christian Blu and goth prince Alaric While the old law pro, Josh Bensan, does some occupying of his own.”

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(via nefertiti)

nefertiti:

Ivanovo detstvo/Ivan’s Childhood (1962, Andrei Tarkovsky)

The complexly choreographed sequence involving Masha’s encounter with Kholin in the birch forest is one of the most iconic shots in cinema, symbolizing the need for help in hard times, a moment of connection above the void, a desperate act of human contact. The camera tracks their movements at a distance before joining them, finally, in a strange, low-angle embrace over a small trench. The shot begins from a low point of view, and then, when Masha tries to jump over the ditch and is intercepted by Kholin, who holds her in the air and kisses her, the camera goes down below ground level and records the scene from within the ditch, to soon thereafter rise sharply up and continue rolling at eye level with the characters.  (1, 2)

(via monochrom23reich)

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